This one popped up on shuffle this morning and I thought it might be worth a re-visit for NZ Music Month - a blend of the acapella from the remix of Scribe's breakout hit "Not Many", over an SJD remix of a Sola Rosa joint that came out around the same time (I forgot the name - the record will be around here somewhere I suppose), blended together by Yours Truly. So that is 100% NZ artists + 100% a guy from NZ who owns a mixer, two turntables, and kinda knows how to use the pitch shift. And about three layers of remixing.
(A cute detail about this song is when Scribe yells "reeeeeeeee-miiiiiiiix", ain't nobody do that no more. Times was, you always immediately yelled "REMIX" when there was a remix. I miss that.)
This blend was done in accordance with the Old School, it is just two records playing at the same time, you can even hear where I was trying to correct for timing slips by giving the record a nudge. As I no longer have the original recording, this is lifted straight from the 2004 mix that I used it in, hence the somewhat abrupt start and finish.
THIS IS ONE FOR THE STREETS YOU GUYS
SJD vs. Sola Rosa vs. Savage, Con Psy, & Scribe - Not Many (Doggziller Blend)
Showing posts with label remix. Show all posts
Showing posts with label remix. Show all posts
Thursday, May 20, 2010
Friday, April 30, 2010
3rd Bass "Brooklyn Queens (The U.K. Power Mix)" (1989)
Seems like hip-hop singles from around 1990 sometimes have these British remixes on them which are usually about making the tunes more "club-friendly". Now, back in those times doing something up "for the club" often meant adding thin synthesizers chords, a house beat, and MIDI orchestra stabs, but occasionally it just meant beefing that shit up. And that's what happened here.
(I'm assuming here that U.K. stands for "the United Kingdom" and not "Ultimate Knowledge" or some shit, but you can never be sure with these rap guys).
While still based around the same core sample, this mix is a pretty noticable improvement on the original - the beat is a lot easier to get down on, the horn samples on the chorus actually make sense musically, and the layering and stripping back of samples gives each verse a different feel.
You don't gotta take my word for it though, first download and listen:
3rd Bass - Brooklyn Queens (The U.K. Power Mix)
...and then compare the original:
The video also features several notable details such as:
- MC Serch's flat-top (note the "3" shaved into the side)
- The intro - ladies if you ain't got me no rings already, don't be talking to me now.
- Jackin' from 3:06... god damn I like to see me some jackin'.
- The very high probability that everyone in the video went to school with MC Serch and Pete Nice.
...and of course, many many examples of the classic rapper pastime of "pretending to be rich", which, at this point in hip-hop history, was still pretty unconvincing most of the time. See also:
(I'm assuming here that U.K. stands for "the United Kingdom" and not "Ultimate Knowledge" or some shit, but you can never be sure with these rap guys).
While still based around the same core sample, this mix is a pretty noticable improvement on the original - the beat is a lot easier to get down on, the horn samples on the chorus actually make sense musically, and the layering and stripping back of samples gives each verse a different feel.
You don't gotta take my word for it though, first download and listen:
3rd Bass - Brooklyn Queens (The U.K. Power Mix)
...and then compare the original:
The video also features several notable details such as:
- MC Serch's flat-top (note the "3" shaved into the side)
- The intro - ladies if you ain't got me no rings already, don't be talking to me now.
- Jackin' from 3:06... god damn I like to see me some jackin'.
- The very high probability that everyone in the video went to school with MC Serch and Pete Nice.
...and of course, many many examples of the classic rapper pastime of "pretending to be rich", which, at this point in hip-hop history, was still pretty unconvincing most of the time. See also:
What's that you're holding guys, like, twenty-three dollars? Come on.
Subscribe to:
Comments (Atom)

