Showing posts with label 60s. Show all posts
Showing posts with label 60s. Show all posts
Sunday, February 20, 2011
Elvis Presley, "Change of Habit" (1969)
This is the title track from Elvis' last movie, in which he plays an "idealistic ghetto doctor" who unwittingly employs three undercover nuns and, in the original draft of the script, attempts to enslave them Enter the Dragon style with daily doses of methadone-laced chitlins (hence "Change of Habit" - the scriptwriter was furious after the studio removed the drug-slavery sub-plot to achieve a general audience certificate, stating it had "ruined a pun that had undoubtedly been the highest achievement of my career").
Like all successful pop artists, Elvis moved with the times and this track is very much on the vibe of '69, a surprisingly tough-sounding effort from normally countrified backing band the Jordanaires, with fuzzed-out bass and frenetic drums hit hard to tape and bursting almost obnoxiously out of the left channel.
Elvis Presley - Change of Habit by doggziller
By extension, I suppose had Elvis lived to sip our modern air he would probably be doing weird remakes where Justin Bieber is skate-boarding around the city and when he looks up at a billboard, old-ass Elvis is inside the billboard, shuffling around singing an Autotuned version of "Suspicious Minds" and then there's a rap verse. The Reaper takes each at his appointed time and though the King suffered the small embarrassment of gasping his last upon the toilet he was perhaps spared the greater indignity of living on to suffer celebrity in the 21st Century.
He also missed the corny and overdone 2003 remix of "Rubberneckin'", another song from the Change of Habit soundtrack - I like to imagine that a surviving Elvis might've been grumpy enough not to authorize this but then again, it did make a lot of money and a guy who shoots televisions always needs some spare change.
The entire film is up on YouTube - I gave up watching shortly after Elvis mistakenly assumed the nuns all wanted illegal abortions and then said some pretty marginal stuff about rape, but I did stick it out long enough to witness Elvis and his apartment full of inauthentically "ghetto" buddies somehow perform "Rubberneckin'" on three acoustic guitars and a tambourine.
Saturday, July 17, 2010
Cosmic Sounds revisited
By reader request, here's three more Zodiac-themed tracks from the "Cosmic Sounds" album - Sagittarius (the Versatile Daredevil), Capricorn (the Uncapricious Climber), and Pisces (the Peace Piper). All selectable from the player below:
the zodiac - cosmic sounds by doggziller
Condolesences to the Sagittarians out there, you got the dumbest poem on the album. Maybe this is not a universal thing but I just can't respect anything circus-related.
the zodiac - cosmic sounds by doggziller
Condolesences to the Sagittarians out there, you got the dumbest poem on the album. Maybe this is not a universal thing but I just can't respect anything circus-related.
I'm sorry, Sagittarius.
Sunday, June 20, 2010
The Zodiac, "Cosmic Sounds" (1967)
From the 1970s through to the mid '80s, Zodiac signs were mainly referenced in music in order to help you decide whether you were sexually compatible with the featured musicians. For a time it was rife, but ultimately the death knell rang for astrology in 1986 when Prince announced that he didn't care about it. These days, astrology is half-remembered only as an antique barbarism, alongside such questionable practices as horse-riding, phrenology, and suicide by asp.
This album, conversely, dates from the glory days of hippiedom and celebrates the Zodiac purely for its own sake. It consists of 12 tracks dedicated to each star sign, each with overblown poetry spookily intoned over a psychedelic arrangement. Each of the poems is careful to reference a significant planet, number, colour and gemstone for the sign in question, e.g.
nine times the colour red explodes like heated blood
the battle is on!
Mars, the master matchmaker, sulphurizes the sky
incendiary diamonds scorch the earth
Probably a bit embarassing in hindsight, and not much help in picking your lottery numbers either. But the creative and varied arrangements do stand up well, being performed by talented sessioners and featuring excellent use of the Moog synthesizer (which in 1967 was about the size of a two or three large wardrobes). I have linked to my two favorite tracks from the album below, and as a monument to my immaturity, I include as a bonus "Aquarius, the Lover of Life" since it includes the passage:
in the friendly opal light of Uranus,
all men can blend
yet still be what they are
(stifled giggles)
The Zodiac - Aries, the Firefighter
The Zodiac - Taurus, the Voluptuary
The Zodaic - Aquarius, the Lover of Life
I expect full compliance with the instructions on the back of the sleeve - "MUST BE PLAYED IN THE DARK"
Monday, April 26, 2010
Peggy Lee "Sneakin' Up On You" (1965)
Alright doggs, here's a quick one to keep things breathing.
Peggy Lee was a very prolific jazz/lounge singer with about twenty or thirty albums to her name, peaking in the 50s and 60s. I tend to think of her as a more schoolmarmish version of Julie London - in 1950s terms, Peggy Lee could probably make 1 bow-tie spin around for every 4 bow-ties set spinning by Julie London, or; Julie London could make one single bow-tie spin at a rate four times faster than the same bow-tie in the presence of Peggy Lee - I'm not quite sure how it worked exactly.
Peggy Lee - "a swell dame"
Julie London - "dang, up to 4x sweller"
"Sneaking Up On You" is not a famous joint, but like many of the world's great songs it is about stalking. Peggy vows that she is going to "creep up" and "pounce" on her target, regardless of whether he is at the beach, on a date with another girl, or "standing around on a roller-whirl" (whatever that is) - those seem to be the three scenarios she has allowed for.
She even trucks out the phrase "if it's the last thing I do", more famously associated with Gargamel, nemesis of the Smurfs. The whole thing rides a nicely arranged and surprisingly tough groove (given the genre and the early vintage), I'm particularly fond of the double-bass work and the drumming. Check it out.
Peggy Lee - Sneakin' Up On You
BTW, keep 'em peeled for Peg's stomping version of "Dock of the Bay" - I haven't managed to track down a copy yet.
Wednesday, March 31, 2010
Sandie Shaw "Reviewing the Situation" (1969)
Sandie Shaw was pretty famous in the mid-60s for recording songs that your Auntie likes such as "Always Something There To Remind Me" - and in fact she even performed the barely excusable feat of winning Eurovision in 1967 with this oompah joint that presumably won over the German judges in the first four seconds.
(To clarify, I have a fairly watertight theory about Eurovision: EVERYTHING THAT HAS EVER WON IS SHIT)
Sandie first showed signs of a lurch towards grooviness in 1968 when she appeared on the cover "The Sandie Shaw Supplement" in what appears to be a crocheted bikini. Since, as we all know, the UK has no beaches, the photo was apparently taken at low-tide on a salt marsh in Dartmouth, probably at sub-zero temperatures. The album also included a pretty worthy stab at "Route 66", a whiff of the good things to follow.
In 1969, at the age of only 22, she released the self-produced "Reviewing the Situation", an LP of superbly arranged covers of significant artists of the day, covering ground as diverse as The Beatles, Dr. John, Led Zeppelin, Bob Dylan, and Rufus Thomas. Yet bizzarrely enough the storming title track is actually one of Fagin's songs from "Oliver!"
I include three selections here - unlike some of the stuff I've posted so far, this album is available commercially via iTunes and maybe elsewhere, so hit that mess up for more songs at better quality if you're feeling it.
Sandie Shaw - Reviewing the Situation
Sandie Shaw - Love Me Do
Sandie Shaw - Coconut Grove
(I'll be screaming "PROMO USE ONLY" even as they drag me off to jail, you'll see)
Labels:
60s,
eurovision,
flute,
groove,
hammond,
oliver,
sandie shaw
Wednesday, March 24, 2010
Smith "A Group Called Smith" (1969)
Okay so the simple reason why I'm posting this track today is because it is hot as shit - tough drums, heavy bass, burbling Hammond, wailing fuzz guitar, and a woman yelling that she wants to sex you, while four stern men emerge from shack and silently observe.
Basically everything I hope for in rock music from this era.
Smith - I Just Wanna Make Love To You
BONUS JOINT: Etta James' version set to a photo montage of the bloke from "Draculas" and "Draculas 2: Oh No, Werewolves" - strickly 4 the ladiez / homo draculas.
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